I am thrilled, chuffed and delighted to announce the publication of my first collection of poems, Routes Between Raindrops. It’s available now from First Matter Press and Amazon.

The poems in this book stem mostly from 2016–19, when I joined the Eastside Poetry Workshop here in Portland. A few pieces predate it; one goes back to 2006 or so. The cover art was created by Aleksandra Apocalisse specifically for the book (she was kind enough to add some extra birds for me).

Here is some advance praise, as they call it:

“In ROUTES BETWEEN RAINDROPS, Dan Wiencek searches through a feast of images, what was, what is, and what could have been, as well as what might yet be, as they shift back and forth between the common and the uncanny, the probable and the impossible alike. Wiencek calls us to recognize ourselves, through shifting tones and approaches, from the recognizable, such as baking bread, to the absurd, as in coming home to find a walrus in a pile of laundry or lampshades turning into birds, and all points in between. It’s a marvelously dislocated tour that we exist in, and co-create, as Wiencek writes, ‘Sky throws itself in everyone’s / faces, now you’re me, it says.’”

JOHN GALLAHER, AUTHOR OF IN A LANDSCAPE

“With his slantwise existential wit and his sleight-of-hand association and indirection, Dan Wiencek takes us on ‘a hypothetical guided tour’ through various surreal landscapes all the way to the present moment where you can ‘realize you’re looking at a star,/the mirage that dissolves at the eye’s touch.’”

CLAIRE BATEMAN, AUTHOR OF CORONOLOGY

“I love the way Wiencek perceives the world. Time and again, the speaker in his poems looks out to find it damaged but irresistible, like a friend endlessly returning with some new self-made malady, asking you to love them anyway. And Wiencek does. With a wry, self-aware, and tender humor— the poems put me in mind at times of Tony Hoagland’s— the writer rescues moments from the blur and frames them beautifully: an empty lot “[stares] up at the sun like a vast / gravel eye,”; a hand grasps empty air like “a furnace / starved of flame.”

GRADY CHAMBERS, AUTHOR OF NORTH AMERICAN STADIUMS