- We Allowed This to Happen
- How pretty is *your* iTunes library?
- 24 Cigarettes and One Pipe: Hammett and Chandler
- Thanksgiving at Home
- The Republican Party in a Second Obama Term
- Elvis on My Elbow, Dylan on My Calf: Tattoos
- Samsung, Stop Your Photocopiers. (And Apple, Stop Your Lawyers)
- How Hot It Was, How Hot
Monthly Archives: June 2008
As you all know, we lost a true comic master yesterday when George Carlin died at the age of 71.
As I wrote before, he was the only comic who never seriously tried to be more than that. Sure, he did a few movies, and one failed sitcom which he had to know didn’t have a chance of getting off the ground. But standup was his true art form and his true gift, and no side project or diversion was ever allowed to overshadow it. Consequently, he had an unmatched capacity to reinvent himself, morphing from successful mainstream comic to countercultural icon, to warped observational comic (think Jerry Seinfeld with cursing and pussy references) to raging critic of the social scene. I don’t know that there’s been anything like it in the annals of American comedy. Richard Pryor started out as a Cosby imitator before finding his true voice, which he eventually lost to drug abuse and a shitty movie career; Steve Martin walked away from the stage while at his peak; Eddie Murphy and Robin Williams allowed themselves to be turned into noisome family entertainers, though Williams occasionally still trots out his decades-old shtick; Jerry Seinfeld did his greatest work in a TV studio, not on stage; and Jay Leno, despite doing some hundred-plus dates a year, hasn’t delivered any memorable material since taking over the Tonight Show. (Bill Hicks’ impersonation of Leno blowing his own head off with an Uzi (“What the fuck did I do with my life?! I used to be funny!! BRTRTRTRTRTRTRT!!”) was funnier than anything — perhaps everything — Leno has done in the last two decades.)
For the last 20 years, despite occasional flavors of the month, Carlin had no rival as the preeminent American standup. The ladder of American comedy has lost its top rung.
Daring Fireball notes that Apple appears to be firming, and subtly reshaping, the identity of its operating systems. The Macintosh now runs “OS X Leopard” (note the lack of “Mac”) and the iPhone and iPod touch run “OS X iPhone.”
I’ve always found it somewhat peculiar that the mobile version of OS X was named after the iPhone (in developer communications it was originally “iPhone OS”) when it also runs on the iPod touch and, presumably, other unnamed touch-based devices to come. I originally thought they should submit to the obvious and call it OS X Mobile, but then realized three things:
- That would be obvious, and rather boring.
- OS X is already “mobile,” given that it runs on laptops. (Duh.)
- “Mobile” in the technology world has basically become synonymous with “crippled.”
Still, OS X iPhone sounds bizarre, flying in the face of the very change Apple is making with the “original” OS X in that it appears to tie it to a specific device. I thought OS X Touch would be a better choice, encapsulating its chief point of differentiation from its progenitor. But that prompts yet another question: might Apple be planning to evolve the iPhone OS beyond strictly touch-based UIs?
From the “Why yes, I do live under a rock” file:
Matt Damon and Paul Greengrass have both agreed to make a third Bourne sequel. At this rate it won’t hit theaters until at least 2010, but I’m already excited. The Jason Bourne series is by far my favorite movie franchise of the last 10 years, moreso than even The Lord of the Rings (although no moviegoing experience since childhood has been as satisfying as seeing those three movies in the theater every Christmas time). I’m a little nervous as well, given that a) Ultimatum was probably the best in the series overall, and b) the series seemed to come to such a satisfying — not to mention firm — ending. (When your series title character flat-out says he is no longer the series title character, that’s a big hurdle to overcome.) Still, I think Paul Greengrass can find a way to give the series yet another invigorating shot in the arm, and I have no doubt Damon would continue to be great in the role.